The exhibition is accompanied by music of renowned DJs and music producers Marcel Dettmann, Rodhad, Head High, Massimiliano Pagliara, Answer Code Request, Tale Of Us, David August and Modeselektor. He was recently in Singapore to unveil his photographic media installation at DECK, as part of an exhibition titled Club Berlin: Electronic Music and Photography, currently showcasing photography of Berlin’s club culture in the ’90s by Martin Ebele. Numerous articles have been written about the club, and how-to guides have been made for those who wish to get past its doors under the watchful, discerning eyes of Marquardt and his trained colleagues.īesides his day job as a bouncer, Marquardt is also an accomplished photographer who’s published two photography books and a memoir.
This notoriously strict unspoken door policy has turned Berghain into something of a temple for purveyors of techno.
Once inside, guests are forbidden from taking photos, let alone film videos of the club. Every week on the door, he turns hopeful punters away, while allowing the lucky techno fans he deems fit to enter. It is important to know that Marquardt is not just your archetype of a bouncer he is a curator. He plays a crucial role in maintaining the club’s unique atmosphere for as long as the parties go on. But Sven Marquardt, the world’s most talked-about bouncer and the face of world renowned techno club Berghain, is more than just that. Bouncers are usually seen as the gatekeepers and rule enforcers of a club.
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